Friday, May 12, 2006
Gershwin's "Porgy & Bess" suite
The shellac quality is typical Columbia Masterwork late 1940s (which means it's OK but very susecptible to any kind of grunge on the disc and almost 'mooshy' in places), but a little bit of CoolEdit's juju and it cleaned up to about 90% of where I'd really like it to be.
CoolEdit Pro also has a nice way to combine the discs using their multi-track mixer... makes the side transitions almost seamless!
The complete file is about 23 megs and runs around 24 minutes... I do not recall seeing this on LP or CD, so here's a perhaps-lost piece of very nice symphonic pop-ness for you.
Porgy & Bess - A Symphonic Picture
A couple of notes - there are moments in here that sound an AWFUL lot like the arranger was listening to Whiteman's version of "Rhapsody in Blue"... I think I can tell where Russell got a couple of his transitional ideas... also during one point in I think the 5th side, someone needs to shoot the clarinet player.
Anyways, I have some more 'conventional' 78s lined up for you for next time, in the meanwhile, enjoy a little symphonic Gershwin!
Oh yeah, it also keeps the used record stores in business too :)
So, if you see a release of old 78-era stuff on CD, SNAG IT! Wait until it is out of print, then gleefully re-distribute (and, in the process, thumb your nose at the RIAA and the big boys for trying to cram crap down our throats) so that the music never dies.
I wholeheartedly sympathize with you and Lee. I have a friend in Toronto who has a CD company devoted to reissues of great known and unknown jazz singers of the 1930s, 40s and 50s. At times, he has had to sue to get masters for which he has contracted and PAID. To make matters worse, fewer and fewer stores carry his reissues. But he struggles on. And, as a result of his iron-willed determination, the world will soon have every Bea Wain record. That, to me, is a laudable restoration project.
In addition, companies like Vocallion in England continue to reissue superb classical recordings of the 1920s, 30s and 40s. So all is not lost. I recently heard a 1932 (or was it 1928?) recording of Debussy's "Nocturnes" performed by the Philadelphia Orchestra conducted by Leopold Stowkowski that had been mastered by Ward Marston. It was a sonic milestone, one that proved high fidelity was far older in origin that I thought. It was also, to my ears, a fabulous performance. It is such admittedly fugitive achievements that are among the central delights of my cultural life. Some day I hope to hear the 78s of Varese and Ives recorded for the Composers' Society in the 1930s. To this day, I remember spending $10 to buy a rather scratchy 1950 LP of Ives' "The Unanawered Question" featuring the legenday Harry Glantz on trumpet. O to hear that record again with pristine restoration!
Keep up the good work and works.
Thanks so much for your kind words... I think I remember you from the 78-L mailing list, no? I need to get back on there one of these days, but with a work schedule that is so screwy, I don't have the time to go thru all my eMail as it is :/
I always look for Ward's restorations when I am out in the GOOD CD shops... granted, I may find them at used CD shops, Ward doesn't get his financial due, but the music still iives and is appreciated.
The Toronto-based CD company, I remember it, but can't think of the name... if I were back on 78-L I'd sure remember it.
If you would, please, let the good peoples on 78-L know I'm still alive & thinking of them, and that if I ever get out to Kentucky, Mike Biel and I should do a radio show for Kentucky Public Radio (did he ever get all the records out of his bathtub??)...
Also, they're all welcome to check out my blogs and post comments... I don't bite!
miles and miles of shellac smiles,
Brad (the Impaler)